Self Released 2012
1.Adsum 2.Yawning Void Of Chaos 3.Vindictive Miscreation
4.Fragments 5.Macrocosm
As ‘Adsum’ slowly fades into life there’s an instant ‘Slowly
We Rot’ feel to the short atmospheric intro but then as the songs blasts into
full life all such comparisons disappear. Heavy as fuck death metal yes, but
not the brand death metal forefathers Obituary play. On offer is a heavy,
Swedish inspired death metal barrage. A lot of the guitar work having an
extremely melodic and catchy sound. The vocals match the riffing perfectly,
screamed and scathing vocals being preferred, which are backed up every now and again by
guttural and growled vocal work. All in all a great combination which works
well. ‘Yawning Void Of Chaos’ opens up as furiously as its predecessor, the
Swedish influence once again heavily on show, ‘The Crown’ springing to mind in
the opening few riffs. As the song gathers pace, so blast beats are introduced,
used sparingly but a welcome addition to the band’s sound. The tracks then
drops right off (pace wise) into melodic, but heavy death metal
guitar work. All old school inspired, but with a production that gives it a very
modern edge. The song then enters into extremely well played and catchy riffing
and with the introduction of a guitar solo, the old school element never far
away from the bands sounds and song structures.
As ‘Vindictive Miscreation’
begins, the band has stripped things to a bare minimum, a far simpler approach
undertaken. Slightly different to the previous songs, but not sounding
particularly out of place. As the songs builds, the re-introduction of blast
beats and the Swedish inspired death metal returns the song to more familiar
territory. The band definitely sounding more devastating with this influence on
show. The pace begins to slow right down and this is where another of the bands
influences shows through again, the song sat firmly in the old school but never
sounding dated or uninspired. ‘Fragments’ picks the pace up once again, a track
to really rip your face off. It’s a song that does what it is meant to, be a
heavy death metal song, written to pummel your senses, which is gladly succeeds
in doing, the faster blasting sections towards the end of the track particularly
effective. Ending this debut e.p. is
‘Macrocosm’ which leads on where the previous track left off, another
pummelling, straight to the point death metal assault. Once again, a heavy
Swedish death metal inspired framework used to craft quite a brutal closing
track. The guitars sounding really heavy in this closer and yet again blast
beats introduced to end the track on. F.O.T appear to tick all the boxes from
an extreme metal point of view and have produced a real belter of a debut e.p.
The production on the guitars is great, a real organic heaviness to them. One
niggling point is the kick drum sound, way too ‘clicky’ for music that is old
school in essence, albeit with a modern twist. A more natural sound would have
been more appealing – but it’s only a small gripe. Overall there are no
complaints at all; it’s well written, catchy, heavy and monstrous at times,
what more do you need from death metal? Definitely worth checking out.
7.5 Out of 10
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