Self Released 2012
1.The Futility Of Being 2.Septic Tank Suffocation
3.The Cannibal And The Corpse 4.Down Another Pint 5.One More Can
6.The Pig Riders Of Leeholme
As 'The Futility Of
Being' slowly gathers pace and builds a sinister atmosphere there is
a real sense of anticipation as to what is about to happen. This
short intro actually has quite a black metal feel to it, but Twice
The Trauma are far from that. 'Septic Tank Suffocation' blasts open
furiously with punk infused raging guitars and machine gun like drum
programming. The production used for the drums is awful, horribly
tinny and very electronic sounding which if intentional, was
definitely the wrong decision for a grindcore band. 'The Cannibal
And The Corpse', obviously a play on words for the well known
veterans of the death metal genre, is a really brutal
offering, blasting nastily throughout most of its entirety. There is however a change
in mood half way through the track, which sounds very atmospheric
when the keyboards are used over the frantic drum and guitar work. It
actually works surprisingly well, but is spoilt somewhat by that
awful drum production.
'Down Another Pint' and 'One More Can' pass in
typical grindcore fashion, being short, fast, brutal and to the
point. They are actually the highlights of the whole e.p working much
better than the longer tracks, the use of dual vocals particularly
well executed sounding spiteful and full of malice. Closing this very
short e.p is 'The Pig Riders Of Leeholme' which begins life in very
death metal fashion, heavy open chord riffs set the tone for the
barrage that is about to follow. Another torrent of raging guitars,
blasting drums and snarling vocals deliver quite a punch, but also
tends to miss the mark somewhat. Again, its the production that is
the major flaw with the guitars been very low in the mix and not very
heavy when the faster sections let lose. With a slightly altered
production, this, and most of the other tracks would have really
kicked you full force in the nuts. Sadly, they are lacking this, which
lets the e.p down. The keyboards are re-introduced towards the end of
the song to give it an eerie, almost sinister end section. Its fair
to say that the production on this release isn’t the best in the
world, not sure if that’s what the band aimed to do, but one thing
is certain, it doesn’t do the songs any justice at all. All the
ingredients are there (frenzied and raging guitars, blasting drums
and vicious vocal work) for an amazingly brutal release, its just the
end product isn’t up to the job. Worth a listen if you can get over
the production (but maybe that’s how you like your grind?)
6 out of 10
Band Page: Here
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